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The Art of S. Clay Wilson, by S. Clay Wilson
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THE ART OF S. CLAY WILSON is the long-awaited career retrospective of the most extreme of the Zap cartoonists of the late 1960s. A self-described ""graphic agoraphobe,"" Wilson draws manically dense scenes of lurid mayhem that rank among the seminal works of underground, counterculture American art. It's all here, from the classic chronicles of the Checkered Demon to salacious stories about the pirates, prostitutes, and poets that inhabit Wilson's divinely depraved world.The definitive collection of the art of legendary Zap comic artist S. Clay Wilson.Features 200 full-color images, including new work and previously unpublished prints commissioned for private collections.Introduction by R. Crumb touts Wilson's role as one of the originators of underground comix."Wilson was the strongest, most original artist of my generation that I had yet met. . . . There was something very familiar about the drawings, yet something entirely new, never before seen! It looked like folk art, like old-time tattoos, like some high school hotrodder's notebook drawings. They were rough, crazy, coarse, deeply American."-from R. Crumb's introductionReviews"To hell with Capt. Jack Sparrow, when are they going to make a movie about Cap'n Pissgums and his Pervert Pirates?. . . Even the least of the prints throb with diabolical energy and are ornamented by the kind of hardboiled captions you wish could be turned into movie dialogue."-San Jose Metro". . . rather rude (but very welcome). . . it's mesmerizing work, and hugely influential as well."-PW Daily
- Sales Rank: #5773596 in Books
- Published on: 2006-08-01
- Released on: 2006-08-01
- Format: Bargain Price
- Number of items: 1
- Dimensions: 12.30" h x .74" w x 9.20" l,
- Binding: Hardcover
- 176 pages
From the Publisher
* The definitive collection of the art of legendary Zap comic artist S. Clay Wilson. * Features 200 full-color images, including new work and previously unpublished prints commissioned for private collections. * Introduction by R. Crumb touts Wilson’s role as one of the originators of underground comix. "Wilson was the strongest, most original artist of my generation that I had yet met. . . . There was something very familiar about the drawings, yet something entirely new, never before seen! It looked like folk art, like old-time tattoos, like some high school hotrodder’s notebook drawings. They were rough, crazy, coarse, deeply American."
—from R. Crumb’s introduction
About the Author
S. CLAY WILSON’s personal epiphany occurred in the heartland over a half century ago when he discovered E.C. Comics. He has been drawing ever since. After years of needless college education in art department dogma, some military service, travel hither and yon, and years of shows and comics, he believes that if you’re not good enough to be a cartoonist, maybe you can be an artist. He lives and draws in San Francisco.
Most helpful customer reviews
7 of 7 people found the following review helpful.
Not for timid reders, but unique, strong, well drawn and well printed
By David R. Ingham
The format and the genre remind me of The ''R. Crumb Coffee Table Art Book'' (hard cover edition). The only thing I can compare Wilson's content with is Andy Warhol's Frankenstein movie, that was so horrible that it makes other horror movies seem ridiculous. Some drawings are shocking even to an old S. Clay Wilson fan, and any page, but perhaps some of the review pages in the beginning, will shock most people. R. Crumb learned much of his lack of self-sensorchip from Wilson.
The book is large format, well bound and well printed. It has a real folded and sewn binding, nut just glued in pages in a hard cover. The paper is very white and the ink is very black. The majority of the pages are in color and the color is bright and consistent. I often found myself using a magnifying glass, and I am short sighted. The pages are full of art. It is long for a book of less than 200 pages.
The content is unrestrained fantasy of violence, ugliness, lust sadism and death. Monsters from the Freudian id, as they said in the movie Forbidden Planet. The art work is not so much moderated by childishness as the comix, but it is still so unreal that we are reminded that this is pure fantasy, not to be compared to real life. I get no sense that there is anything evil about the artist. That is just the subject.
More knowledgeable comments are contained in the early pages of the book.
6 of 6 people found the following review helpful.
Interesting but missing most of his better earlier work
By E. Allen
I bought this book hoping to see some of S. Clay Wilson's Zap Comix strips and drawings, like Captain Pissgums and his Pervert Pirates, and his incredibly gross and funny single-page panels. Those aren't there. This is an interesting collection of his early work and his later work. Most of the later work is so overcomplicated and overpopulated that the transgressive humor is lost. Robert Crumb's introduction is worth reading, but I'm still waiting for a collection from Wilson's great Zap Comix years.
0 of 0 people found the following review helpful.
A Midwestern Hero who is larger than Life
By Mark E. Moriart
It is great to see one of the guys from Lawrence, Kansas make it to the big time. Wilson's original outlook on life was an inspiration to all of us searching for something different in the '60's. The art department at KU was living up to expectations of seeing with a different perspective. As one who devoured the days back them, Wilson was a feast. Lawrence had a beautiful identity back then because of free thinkers like S. Clay Wilson.
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